Pokémon TCG: Sword and Shield—Brilliant Stars

The Top 50 Anime of All Time...According to Anime Insider

Now that I think about it, Negima! didn't really end either. They decided to cut it short and made up an ending. I've seen Bubble Gum Crisis Tokyo 2040, but that was a long time ago, so I don't recall what happened at the end.
 
Rurouni Kenshin didn't even finish. How can it qualify for worst ending? >_> <_<

Kenshin had an ending, it just wasn't the one anyone wanted, nor was it the one the mangaka intended in the first place.

Chrono Crusade ending sucked too, they go through all that bs and live for a couple months before her life force runs out.
 
Negima! had a similar ending to Chrono Crusade. Things were all happy-go-lucky, then BAM! kill off the main girl character, in the saddest way possible. Of course Negi saves her in the end.

#9-8 (cause they are longer reviews)

#9
Akira (Geneon)

From the opening destruction of Tokyo by nuclear explosion to the final battle between the massive, out-of-control psychic Tetsuo and the laser-wielding Kanada, Katsuhiro Otomo's Akira is relentless, and relentlessly awesome. Neo-Tokyo is full of terrorists, marauding motorcycle gangs and the forces of a semi-fascist government. when biker Tetsuo is captured for his psychic abilities, his friend Kanada gets caught up in a revolutionary attack, the government's secret psychic program, and Tetsuo's own mental issues and anguish, which could mean the destruction of the entire city. Made in 1988 with the largest budget ever for an anime (at the time), Akira was a calling card around the world about the possibilities of animation as an art form. Even now, nearly 20 years later, the film holds up visually to even the most recently made anime, bolstered in no small part by the incredible soundtrack by Shoji Yamashiro and some amazing action set-pieces. More importantly, Akira's examination of social instability, disaffected youth and power is just as pertinent now as it was then. It's no wonder Akira is considered one of the greatest animated films ever made.

#8
The Castle Of Cagliostro (Manga Entertainment)

It should come as no surprise that the best Lupin the 3rd film is the one directed by Hayao Miyazaki, albeit during his pre-Ghibli days. The two anime icons are both at their best in The Castle of Cagliostro, combining the action and adventure of the Lupin series with Miyazaki's heart and storytelling skills. The film features a less playboy-esque Lupin getting entangled with a beautiful princess, an evil count and (of course) a massive hidden treasure. Jigen, Goemon, Fujiko and Inspector Zenigata are all present; there are car chases, a legion of evil ninja thugs, skin-of-their-teeth escapes and, most of all, an unparalleled spirit of fun that no other Lupin anime has quite captured. "The quintessence of the God of Anime's touch is all here," gushes Kenji Kamiyama, the director of Ghost in the Shell: Stand Alone Complex. "From the story to the characters to the artwork, this movie is packed with all that makes animation entertaining."
 
It's getting even more noticeable that this was both (a) written by waps, and (b) everything's saying "zomg best animu evar".
 
I dunno about that one, McPike. As much as I love the randomness of Lina Inverse and her stupid buddy Gourry, I dunno if it's T50 material.
 
Sorry about the lack of updates for the Mini-reviews, it has been a pretty hetic week at work.

I will get back to them Monday or Tuesday.
 
Back to the countdown again...

#7-5

#7
Jin-Roh: The Wolf Brigade (Bandai)

With realistic characters and a setting that's only a slightly altered version of 1960's Japan, Jin-Roh's a far cry from the typical anime movie-and that's part of what makes it so special. In a world where Japan fell under German rule during World War II, the nation's grown into a tense police state dominated by riots, terrorist cells and brutal crackdowns. Constable Kazuki Fuse seems to be just another cog in the government's riot-control machine, but when an encounter with a bomb-carrying young woman ends in tradgedy, Fuse's shaken to the core. Watched closely by his superiors, he strikes up a friendship with the would-be bomber's sister, who seems to like prolongged silences and the gruesome original version of "Little Red Riding Hood" as much as Fuse does. Jin-Roh owes much to Mamoru Oshii, who wrote the original script and lent the red-eyed police armor from his Kerberos films, but the movie's ultimately the work of the more humanistic director Hiroyuki Okiura, and, in the words of Shizuki Yamashita, Broccoli International USA's director of operations, "if you take an Oshii base story and toss in Okiura's taste, you get a solid story with the romantic element." With Okiura's deft (and sadly little-seen) style in effect, a potentially laborous political drama becomes a gripping battle for Fuse's soul, and one of the most affecingly tragic tales anime has to offer.

#6
Neon Genesis Evangelion (ADV Films)

It's hard to get near Neon Genesis Evangelion without being lost in the crowds drawn by it's unceasing popularity. Ever since it's 1995 debut, it's been analyzed, criticized, vilified, glorified, overated, undervalued and talked about in circles where anime seldom treads. It's best to see it all as a testement to the enduring impact of Evangelion. On one level, it's a giant robot show, with it's halfway post-apocalyptic setting and its simple story of whining young Shinji Ikari drafted into piloting one of the mysterious pseudo-robots that stands between mankind and the destructive race of aliens called Angels. Yet right in the middle of escapist power fantasies, director Hideaki Anno stripped away Evangelion's facade, transforming the series into a brutal psychological drama and striking a disaffected chord that still echoes in anime today. Despite all the elaborate imagery and red-hering Christian references, Evangelion's a powerfully human story at its heart. And while its wide effect may invite backlashes, that story stays the same and the characters remain compelling. Its influence lingers on both sides of the Pacific. "Evangelion was the perfect storm for the North American anime boom," recalled Scott Green of Ain't it Cool News. "Its thundering titans, gravity of character drama and Rorschach symbolism all made for an unparalleled experience."

#5
Revolutionary Girl Utena (Central Park Media)

It began as a tomboy story with a noble twist: rescued by a mysterious prince as a young girl, Utena Tenjou vowed to emulate her savior and become a prince herself. What could have been a simple gender-bending romp takes an eerie turn when Utena transfers to Ohtori Acadamy and inadvertently becomes a duelist, one of several students who partake in swordfighting bouts over ownership of Anthy Himemiya, the Rose Bride. The 39-episode series and lavishly animated movie, which took Utena's basic storyline and wrapped it in even more symbolism, are more than a magical girl adventure with an edge. Visually influenced by the classic Rose of Versallies series, director Kunihiko Ikuhara (Sailor Moon) mixed together allegory, ritual and the dark side of traditional shojo elements for a multi-layered tale that encompasses everything from feminism to the basic conflict between good and evil. "Utena proved that Kunihiko Ikuhara is a genius," says Shizuki Yamashita, Broccoli International USA's director of operations. Utena starts off seeing things in black and white, but she's surrounded by shades of gray. No character escapes an exploration of the weeknesses in their hearts. Utena is more than an adventure; it's a psychological roller coaster.
 
Devil's advocate: why no Dragon Ball Z? Even if you hated the series for its senseless training/battles/etc, something has to be said about its ridiculously universal appeal.
 
DBZ should be on the list. Not as a top 10, but probably as #47 or something like that. Its appeal is what made it good. Its weird handling of filler material was not. When it wasn't going through the SCREAMING POWERUPS, it was quite good. The problem is that the SCREAMING POWERUPS were approximately 16-20 minutes out of a standard 24 minute show. Too much. I'd rather have Bleach-quality filler than SCREAMING POWERUP filler.
 
Here is what they did to make the list:

"By now readers may be used to the intense infighting among the Anime Insider staff that comes with any attempt a a "top anything" list. In honor of our 50th issue, we decided to let some of our friends in the anime industry in on the action. But there's a twist. Opening the nominations up to specialists ranging from the president of GONZO to veteran voice-actor Crispin Freeman, we asked for lists of the best anime-not the most influentual, or the most popular, but the best. The ones that made a lasting impact. The ones that tell a solid story in an entertaining, well-rounded way. The literature of anime, if you will. Of course we had to limit the final 50 to what's been released in the States, and not everyone's top picks made it into this exclusive list, but we found space to hiughlight our specialists' favorite anime, in case you're curious about what the director of BLOOD+ loves the most. Our choices may surprise you or even enrage you, but we also hope they'll spur you into watching more of the best anime ever made."

BTW here are some "Top 5" lists from the "Experts"

Andrez Bergen (Anime Insider's Tokyo Correspondent)
1: Ghost in the Shell
2: My Neighbor Totoro
3: Project A-KO
4: Jin-Roh: The Wolf Brigade
5: Doraemon

Rob Bricken (former Anime Insider editor)
1: Urusei Yatsura
2: FLCL
3: One Piece
4: Porco Rosso
5: Robotech: The Macross Saga

Bamboo Dong (AnimeNewsNetwork columnist) (Note: I am NOT making this name up!)
1: Nausicaa of the Valley of the Wind
2: Grave of the Fireflies
3: Perfect Blue
4: Paprika
5: Spirited Away

Crispin Freeman (Voice Actor)
1: Laputa: Castle in the Sky
2: The Vision of Escaflowne
3: The Cat Returns
4: Macross Plus
5: FLCL

Junichi Fujisaku (Director)
1: Gamba no Boken
2: Patlabor 2: The Movie
3: Space Runaway Ideon
4: Alps no Shojo Heidi
5: Ashita no Joe

Junji Fujita (GONZO President)
1: Tale of Tales
2: Mobile Suit Gundam
3: Crayon Shin Chan: Battle of Warring States
4: Dumbo
5: Hedgehog in the Fog

Scott Green (Ain't It Cool News Columnist)
1: Princess Mononoke
2: Neon Genesis Evangelion
3: Ghost in the Shell Stand Alone Complex 2nd Gig
4: Cowboy Bebop
5: Royal Space Force: The Wings of Honneamaise

Kurt Hassler (Yen Press co-publishing Director)
1: My Neighbor Totoro
2: Naruto
3: Fullmetal Alchemist
4: Princess Mononoke
5: Grave of the Fireflies

Lance Heiskell (FUNimation Marketing Director)
1: Robotech/SDF Macross
2: Vision of Escaflowne
3: Saikano: The Last Love Song on this Little Planet
4: Vampire Hunter D Bloodlust
5: Fullmetal Alchemist

Carl Horn (Dark Horse Editor)
1: The Wings of Honneamise
2: Megazone 23 Part 1
3: Neon Genesis Evangelion
4: Lupin III
5: Robotech

Shinichiro Ishikawa (GONZO CEO)
1: Cyborg 009
2: Daitarn 3
3: Haikara-san ga Tooru
4: Mobile Suit Gundam
5: Time Bokan

Kenji Kamiyama (Director, Scriptwriter)
1: Mobile Suit Gundam
2: Lupin the 3rd: Castle of Cagliostro
3: Ghost in the Shell
4: Nausicaa of the Valley of the Wind
5: Urusei Yatsura 2: Beautiful Dreamer

Hiroe Tsukamoto (Aniplex of America VP of Deleopment/Marketing)
1: Gatchaman
2: Tekkonkinkreet
3: Ghost in the Shell Stand Alone Complex 2nd Gig
4: Ghost in the Shell Stand Alone Complex
5: Kyo Kara Maoh!

Janice Williams (ADV Films Producer)
1: Macross Do You Remember Love?
2: Mobile Suit Gundam 0080
3: Captain Harlock: My Youth in Arcadia
4: Vampire Hunter D
5: City Hunter

Shizuki Yamashita (Broccoli International USA Director of Operations)
1: FLCL
2: Revolutionary Girl Utena
3: Jin-Roh
4: Whisper of the Heart
5: Vision of Escaflowne

So I guess that means that my earlier statement about "them making the list up" was way off. I guess I should have actually read the article...oh well. Back to the countdown later on.
 
I have two things to say at this point...

1) The one for Evangelion was actually less fanboyish than I figured it would be, but still didn't stay overly long on commenting on actual content at any given time.
2) Dragonball Z might have mass-market appeal, but there's no substance there. In fact, the lack of quality is perhaps the biggest draw it has going for it. There's nothing complex to commit yourself to. When you're a <13 year old boy, you aren't going to want anything more than screaming violence anyway. When you're a >13 year old boy, you aren't going to want anything more than impressive-sounding speeches punctuating superhuman battle sequences. When you're a >13 year old girl, you aren't going to want anything more than characters who hate each other, such that you can slash them together in fanfic. Dragonball Z appeals to all of these markets, and hence its universal appeal without having any content.
 
Rob Bricken is obviously the only sane one since he's the only person with One Piece on his list. Looking at that list its suprising Mobile Suit Gundam didn't trump 0080.

Also, it's scary how on the mark Marril can be sometimes. >_>
 
Besides, if you wanted a show with mass market appeal, why isn't pokemon on this list?

Put Pokemon on the list too!

At least three of us agree that these shows are very low on substance, yet I still feel a legitimate "all time" list would have them (at least DBZ...Pokemon is remembered more for the franchise). All things considered, legacy and impact on the market should be at the highest level.
 
I will be doing the rest of the countdown a bit later (probably after Thanksgiving). Just thought you might want to know.
 
Good list, although I don't feel it is fair to have stand alone movies and series in the same list, movies should be seperated out and judged by themselves. Otherwise it was a good list.
 
Nice to hear from you Mr. Anderson...

Like I said, this list is the opinions of several Anime industry people, and Anime Insider magazine.

It is not necessarily the list I (or anyone else who has an opinion) would choose.
 
Thankfully, this list goes on quality, not popularity.

Ehhh, I don't know about Pokemon, but Dragon Ball has quality to it! I may be a mouse in a viper pit on this one, but I'll stand by it. :p

Story quality? Of course DBZ has none of that. Great music, art direction, and character design? You betcha. One of the reasons why Dragon Ball was so popular in the first place was because it was eye candy animated.

It's a quality package, and unlike a okemon TCG starter deck, this introduction anime stays good.

But then again, everyone has their opinions on "quality" and "good."

On a side note, it's nice to see Cowboy Bebop and Neon Genesis ranking high up there. : D
 
Back
Top